Indiana Jones’s transition from
mercenary to indentured knight was a rather gradual one. This sluggish change
can be compared to Han Solo’s transition from mercenary to civic hero. The
duration of Han’s transition was also spread across multiple films in a
trilogy. It seemed to take Han even longer than Indy to change. It took Han until
the end of the third Star Wars film
to fully evolve into a hero. Indiana Jones, on the other hand, only took until
the end of the second film in the series to blossom from mercenary into a noble
indentured knight.
One could
argue that this transition occurred early in The Raiders of the Lost Ark. The moment that Indy agreed to work
under the Untied States government in order to find the Ark of the Covenant
could be seen as him making the transition. The government can be seen as the
king that Indy is indebted to and in turn must obey. The problem with this
hypothesis is the fact that Indiana was still fully in the deal for selfish
reasons. He still wants all of the glory for himself. A scene that exhibits
this notion occurs when Indy is packing for Nepal. As Marcus warns him of the
Ark’s unimaginable power Indy simply shrugs him off as the audience views him
throwing his whip and gun in his bag. His actions signify that, at this point,
he is still the old mercenary Indiana.
The point
at which Indiana truly metamorphoses into an indentured knight occurs just “before
the supernaturally driven climax wreaks havoc on the villains” (Pfeiffer 117).
The scene that best demonstrates this transition is the bazooka showdown scene.
Belloq and the Nazis are making their way to the Ark revealing site with Marion
Ravenwood in captivity when they are surprised by a bazooka-toting Indy
(actually a modern-day rocket-propelled grenade). Indy appears at the crest of
a ridge and threatens to destroy the Ark of the Covenant if Ravenwood is not
returned to him. Belloq then calls his bluff and Indy surrenders himself to the
Nazi crew. A twofold change can be observed as occurring within his character. First
he exhibits his acceptance of the chivalric code in that he is (seemingly)
willing to give up the bounty of the Ark in order to save his love, Ravenwood.
In addition, he demonstrates his indentured servitude to the history of the
world. This is made clear in that he refuses to actually destroy the Ark. In
the past, Indy had used the relics he discovered simply as a means to an end.
He only cared about fortune and glory. The newly knighted Indy now realizes the
importance of taking care of such relics in order to make better sense of the
past. The camera angle demonstrated this change that occurs in Indy. Earlier in
the film, as the Nazi’s catch Indy removing the Ark from the underground tomb
Belloq looks down upon him while sealing the tomb. In this scene Indy is
literally above Belloq and the Nazis indicating a change in his character. He
is no longer a simple mercenary but rather a noble knight.
First off I really liked your in depth look into the camera angle as a way of showing the changed relationship between Belloq and Indiana Jones. It completely supported your idea that Indiana’s true transformation took place during the Ark of the Covenant Nazi convoy scene. In general I agreed with your take on Indiana’s evolution from mercenary to indentured knight, but there are a couple of things I’m not so sure I agree on.
ReplyDeleteAlthough Jones’ total metamorphosis did take up most of the second film, I think its important to take into account that The Raiders of the Lost Ark takes place only a year after The Temple of Doom adventure. In terms of time, this is actually a pretty rapid change compared to his earlier role as a centrally selfish, honor-seeking mercenary.
Another thing you brought up that I have slight contention with is your statement that in the past, Indiana “only cared about fortune and glory.” I think this is Indiana’s initial reasoning behind the acceptance of quests, especially when it comes to the Temple of Doom quest. However, he still realizes what is truly more important in the end. This is evident in the Temple of Doom when he chooses to restore the stone to the village and in The Raiders of the Lost Ark when he chooses Marion initially over the Ark (even though Belloq calls his bluff).