Friday, February 7, 2014

Cacique-Borja, Knowledge of the Arc


In Temple of Doom, Indiana Jones transforms from a mercenary to an indentured knight through a journey that takes all movie. At the beginning of the movie, Indy is closing a deal with the Chinese mob in Shanghai until it goes south. Once he escapes he finds himself in a tight situation trying to survive a plane crash. When he survives the crash, he encounters a village and gets intertwined in their problems. He is mostly indifferent until they tell him about the theft of the sacred stone that brings peace to the town. Indiana enters the quest only because of the historical significance of the stone. Until this point, Indy’s actions are mandated through a reward and glory standpoint. Entering this retrieval journey will bring no material reward to Indy thus he skeptically takes on the challenge. After he retrieves the stone from the Thuggees, the village is transformed from a dessert wasteland to a thriving green setting. When Willy asks him why he returned the stone and not sold it for money, he said that if he did the stone would just be collecting dust in a museum, in the village it was helping people. Here, Indiana realizes how much the stone meant to the village and makes the transformation from mercenary to indenture knight.

In Raiders of the Lost Ark, Indy goes through a similar journey where at the beginning he embarks on the journey for the glory and reward aspect. Indy is very excited about making a discovery of a lifetime. To find the lost Arc containing the Ten Commandments and being able to study through the government leaves Indy with a sense of enthusiasm when he leaves for India. Indy feels as he has found an authoritative figure (the government) that takes him seriously and wants to use his talents for the greater good of humanity. When he is able to bring the arc out of its hiding place, Belloq wins once more and is able to acquire what Indy has recovered. Belloq tells Indy that the arc is history and that they are just witnessing history. This makes Indy reflect on why he is after the arc. He comes to the conclusion that his any finding he does on the arc surpass Indy and affects humanity as a whole. Indy acknowledges that the arc must be retrieved at any costs; he realizes that knowledge is more rewarding than money and fame. Thus when the journey is over and the United States has the arc under their power Indy is upset that the “top people are working on it” because he knows that is not true. Indy knows that the government has sized the Arc and hid it away. Here he loses hope on the government that set him abroad to find the arc and finds a new authoritative figure, knowledge. Knowledge is the only one that won’t betray him. As Pfeiffer writes, Indiana is a “kind of swashbuckling hero”, always raging an inner battle between good and evil or in this case glory and righteousness. Indy is human with  human frailties, fears, and money problems but overall a famous anthropologist.

1 comment:

  1. You make a lot of good points, and though it's easy to tell that Indy acts as a mercenary in the beginning of these films, there is always that decidedly Hollywood transition that he decides he has to make, regardless of the consequences. Temple of Doom is good because at some point, we as an audience start thinking," Aw Indy has to save all those poor slave children", and while that may be a low blow to the audience's emotions, it works nonetheless. But in that vein, if Indy becomes the indentured knight to make everything right, that means that he loses a bit of the "swashbuckling hero" swag that he has before. Either way though, Indiana Jones and the series as a whole follow the simple formula of make Harrison Ford look like a dirt bag just a little bit and then make him act selfless and gentlemanly, like a noble knight, Anyway though, I think that you hit all the right points in this blog post.

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