Murray - Indy's past
The final Indiana
Jones movie was a great asset to the trilogy because it did add more depth to
the character of Indiana. Character depth can only ever add to a story because
humans are so innately deep. The trilogy
acts as a metaphor for how we meet new people.
We meet Indy at face value in the first film and see who he is. In the second film it as though we have
become friends with Indy and are now gaining insight into who he was not long
ago. In the final film we not only have
now acquainted ourselves with him but now have spent some time together and are
allowed to see him how friends see each other.
Friends have grown with each other but also are privy to personal
information about their past. This point was made clear when Jeffery Boam
stated “I could bring an added dimension to the Indy character and basically
get inside him and let the audience find out how Indiana Jones becomes Indiana
Jones… By the time is over, Indiana Jones won’t have many secrets left” (
Pfeiffer 176). In With the intro to the last film we have secured a friendship
with Indy not just observed his life. In
this intro there are some very personal facts that only friends would know of each
other. The scar on Indy’s chin for
example was explained to the viewer by Indy accidentally whipping himself. Often times people will discuss their old
battle scars and tell stories of their past.
Likewise, Indy’s iconic dress is another subject under conversation
which gets explained. These fluffier pieces
of information are juxtaposed next to some deeper conversations as well. One of these deeper topics is why Indy
mistrusts people especially those in positions of power. Like the way we get to know our friends
better it is the small nuances of the way a friend reveals themselves are often
the most important. When the young Indy
states “everyone is lost but me” the viewer can now understand the now blatant correlations
between the Indy we know and the events that shaped him. Perhaps the most imperative detail we get
from the opening scene is Indy’s relationship with his father. As a friend would not push the subject the
viewer does not get to push the subject of Indy’s relationship with his
father. Only for a moment does the
viewer get a glimpse of it but like a long friendship the questions answer
themselves with time and the current event our friend Indy must endure. Indy is the viewer’s friend. The viewer now has known Indy and finally
gets insight into who the depth of the person we so enjoyed at face value.
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