Friday, January 10, 2014

Richard: Hanover Street Blog

The term “hero” can actually be considered to have a subjective meaning or definition.  Overtime, this meaning has been transformed into what we collectively consider a hero.  The media has a great deal to do with this, and this includes movies.  Hanover Street really set the tone of what a true American hero looks like.  We saw that different elements of an “American hero” were portrayed as having certain elements or characteristics. 
            Sellinger would consider Halloran a hero because of the attitude he possessed.  Sellinger’s idea of a hero was opposite of the characteristics he saw in himself because during the film we saw he had the need to change.  He wanted to become brave and adventurous to prove to his wife that he was more than just a gentleman.  This gives off the idea that simply being a “gentleman” is not enough in society.  Being the one that takes action and saves the day is what people will consider a hero according to Sellinger.  After he explains his the difference between Halloran and himself when using the analogy of saving the boy, it becomes clear that Sellinger is unsatisfied with himself.  Sellinger sees that Halloran is the one that can handle danger, save the day, and get the girl. 
            The book tells us that a deciding factor with Ford taking the role was that he had the opportunity to kiss a woman on screen.  This is significant because we see this in a lot of other movies where the hero is rewarded with a girl in the end.  It can be seen from movies such as Spiderman, Batman, and just about any other movie that portrays a hero.  Halloran was different though because he did not get the girl in the end, but it can be inferred that he got the girl at the beginning because of his heroic presence and outlook on life. 
            The book also tells us that Halloran did not have fear until he realized there was someone worth living for.  Not having fear at the beginning was a main factor in considering how brave his character was.  It was also interesting how intelligence has no role in what is considered to be a hero.  Without Sellinger knowing a second language, he and Halloran would have never made it through most of the second part of the movie.  Intelligence was put on the backburner to most of society in this movie and even today.  Sellinger’s wife didn’t consider him a hero even though he had a high rank, successful career, and spoke another language. 
            Ultimately, Sellinger and Halloran help each other become heroes.  After they fall out the plane Halloran sees that Sellinger will never make it far without him because he does not even know which direction is north.  Halloran wants to help him achieve this mission despite the odds working against Sellinger who just sprang his ankle walking.  Sellinger does not have to do much to help Halloran become a hero at first because Halloran is the type of character that will take action when it is necessary, even without being told, like the scene when he punched the man while they were in the safe.  When Sellinger showed Halloran the picture of his wife, Halloran really showed heroic characteristics because he wanted to do even more to make sure Sellinger made it home alive.
            Heroism frames the final actions of the film when the two men were escaping and part of the bridge fell, Sellinger made a sacrifice by telling Halloran to keep going to tell his wife that he tried.  This can be considered heroic because he is making a great sacrifice and has overall accomplished a lot more than he ever has.  Halloran then makes his heroic move by picking up the hurt Sellinger and dragging him to wife even though he has strong feelings for her as well. 
 

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